Game of Thrones Made a Powerful Statement About Educational Access in Season 7 Premiere (Game of Thrones S7.01)

As one would expect with Game of Thrones, there was a lot to be excited about within the Season 7 premiere. Arya is continuing her mission of revenge with one of the bloodiest season openers of the show while Dany and Cersei are drawing up their strategy maps (quite literally in Cersei’s case), Jon attempts to take the reigns in the North, and Samwell is almost literally knee deep in shit. We even had a cameo appearance from Ed Sheeran who, along with his merry band of soldiers, seemed much too kind to be rocking Lannister colors. Without doubt, this premiere is setting us up for what is sure to be an epic season.

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Flashback (Homeland Rewatch S5.05-S5.08)

There has been quite a bit of discussion in class regarding the “feel” of this season of Homeland. I think that many of my classmates and I agree that season five has felt almost like a complete reboot of the show. It is different from the first four seasons in a number of ways, including (but not limited to) its European location, a far more politically savvy plot, and a whole new set of international threats beyond those from the Middle East. In addition to all of that, we have our three primary protagonists, Carrie, Saul, and Quinn operating largely within their own narrative arcs.

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All the Little Children (Homeland Rewatch S5.01-S5.04)

While last season of Homeland seemed to try and push all mention of home life and children to the side so Carrie could live her exciting life as a station chief in the middle of a war zone, season five is pushing the exact opposite agenda. Now that Carrie has flipped her switch from an emotionally turned off, hesitant mother to a figure of devout maternity, every fiber of the Homeland narrative in the first episodes of season five seems to be driving home just how much Carrie’s role as a mother is raising the stakes.

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In Memory of Fara (Homeland Rewatch S4.09-S4.12)

As my readers probably know by now, this is not my first time through Homeland. I think it is always interesting as a media scholar to return to something you once watched and attempt to think through the material using a more critical eye. One of the more harrowing scenes to experience in season four Homeland is Fara’s death at the hands of Haqqani. There was a part of me that wondered, not only this time through watching but also the first, whether Fara’s death is meant to be seen as symbolic. Why would a character that arguably rounded out the Homeland cast for the better be written out?

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Carrie Redux (Homeland Rewatch S4.05-S4.08)

I think that most would agree that the fourth season of Homeland has felt quite different from the other seasons. We are down a main character (i.e. Brody), much of the action is taking place in the Middle East, and, by far, one of the biggest changes of the season comes in the form of Carrie’s characterization. Many of my classmates argued last week that Carrie’s characterization in the beginning of the fourth season is highly troubling and it was hard for them to sympathize with her or to forgive her for her apathetic parenting or asserting her power (via sex) Carrie Pakistan situation roomover a much younger man

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