I think that most would agree that the fourth season of Homeland has felt quite different from the other seasons. We are down a main character (i.e. Brody), much of the action is taking place in the Middle East, and, by far, one of the biggest changes of the season comes in the form of Carrie’s characterization. Many of my classmates argued last week that Carrie’s characterization in the beginning of the fourth season is highly troubling and it was hard for them to sympathize with her or to forgive her for her apathetic parenting or asserting her power (via sex) Carrie Pakistan situation roomover a much younger man
Read more "Carrie Redux (Homeland Rewatch S4.05-S4.08)"
For women in film, the conflict that emerges between family and career often come to a head, disallowing a female protagonist from having the best of both worlds. This has often been the case for Carrie and, with Brody finally leaving his family, Carrie is presented with the option to choose a “normal” family life with the man she has come to love. However, it is made clear that choosing Brody means abandoning the career with which she has been so unabashedly faithful.
Read more "Is this Feminist? (Homeland Rewatch S2.09-S2.12)"
Although I could go on in some detail about the interesting parallels of Brody and Carrie and their struggles in navigating the clash of their past and present lives, I was actually much more intrigued this week by the representation of and cooperation among women in these episodes. There appears to be a strong indication that a “community of women” can work together to get things done.
Read more "(Home)Land of Women (Homeland Rewatch S2.01-S2.04)"
If nothing else, the final four episodes of the first season effectively call into question which party (the terrorists or the USA) is actually standing on higher ground, the Americans or the terrorists? Is there much difference between them?
Read more "The Good Guys (Homeland Rewatch S1.9-S1.12)"
A key theme within the show centers on the idea of fidelity. This theme manifests in three different but important ways: fidelity to marriage, fidelity to career, and fidelity to country. Interestingly, the show represents each of these different kinds of fidelity has competing factors whereby a hierarchy of fidelity emerges, placing fidelity to marriage firmly at the bottom and fidelity to country at the top.
Read more "On Fidelity (Homeland Rewatch S1.E5-S1.E8)"
The events of 9/11 caused these notions to crumble and the post 9/11 America has become tainted by paranoia about the intention of “others,” harbors a consistent feeling of uncertainty about the world around us, and is being forced to redefine what it means to be American. The first episodes of Showtime’s Homeland are heavily playing to the aforementioned themes, right down to the opening sequence (first seen in episode two).
Read more "Depicting a Tainted World (Homeland Rewatch S1.E1-S1.E4)"
Over the course of the Spring 2017 semester, participants in the Homeland course will each be rewatching the show from the beginning (approximately four episodes per week) and blogging about each week’s rewatch progress. We will be attempting to not only engage deeply with the episodes and explore the show from a variety of critical academic angles but also engage with other scholars in the process.
Read more "Homeland: A Rewatch Project"